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Mobiles, stabiles, gouaches, bijoux. Almine Rech Gallery, New York. Mobiles and Stabiles by Alexander Calder. In the Route of Friendship: Henry Litolff's Verlag,

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Do you have any recommendations to help fix this issue? I love your blog.. Stay up the good work! Word traveled about the inventive artist, and in Calder was given his first solo gallery show at the Weyhe Gallery in New York.

This exhibition was soon followed by others in New York, Paris, and Berlin; as a result, Calder spent much time crossing the ocean by boat. He met Louisa James a grandniece of writer Henry James on one of these steamer journeys and the two were married in January In October of , Calder visited the studio of Piet Mondrian in Paris and was deeply impressed by a wall of colored paper rectangles that Mondrian continually repositioned for compositional experiments.

He recalled later in life that this experience "shocked" him toward total abstraction. For three weeks following this visit, he created solely abstract paintings, only to discover that he did indeed prefer sculpture to painting.

In the fall of , a significant turning point in Calder's artistic career occurred when he created his first truly kinetic sculpture and gave form to an entirely new type of art. The first of these objects moved by systems of cranks and motors, and were dubbed "mobiles" by Marcel Duchamp—in French mobile refers to both "motion" and "motive.

Arp, in order to differentiate Calder's non-kinetic works from his kinetic works, named Calder's stationary objects "stabiles. In , Calder and Louisa left France and returned to the United States, where they purchased an old farmhouse in Roxbury, Connecticut. Calder converted an icehouse attached to the main house into a studio. Their first daughter, Sandra, was born in , and a second daughter, Mary, followed in He also began his association with the Pierre Matisse Gallery in New York with his first show in James Johnson Sweeney, who had become a close friend, wrote the catalogue's preface.

Calder also constructed sets for ballets by both Martha Graham and Eric Satie during the s, and continued to give Cirque Calder performances. Calder's earliest attempts at large, outdoor sculptures were also constructed in this decade. These predecessors of his later imposing public works were much smaller and more delicate; the first attempts made for his garden were easily bent in strong winds.

And yet, they are indicative of his early intentions to work on a grand scale. In , Calder created his first large bolted stabile fashioned entirely from sheet metal, which he entitled Devil Fish.

Enlarged from an earlier and smaller stabile, the work was exhibited in a Pierre Matisse Gallery show, Stabiles and Mobiles. This show also included Big Bird , another large work based on a maquette.

He continued to create: Working in wood resulted in yet another original form of sculpture, works called "constellations" by Sweeney and Duchamp. With their carved wood elements anchored by wire, the constellations were so-called because they suggested the cosmos, though Calder did not intend that they represent anything in particular.

The Pierre Matisse Gallery held an exhibition of these works in the spring of , Calder's last solo show at that gallery. The forties and fifties were a remarkably productive period for Calder, which was launched in with the first retrospective of his work at the George Walter Vincent Smith Gallery in Springfield, Massachusetts. A second, major retrospective was exhibited at the Museum of Modern Art in New York just a few years later, in In , Calder made a series of small-scale works; in keeping with his economy, many were made from scraps of metal trimmed while making larger pieces.

While visiting Calder's studio about this time, Duchamp was intrigued by these small works. This important show was held the following year and Jean-Paul Sartre wrote his famous essay on Calder's mobiles for the exhibition catalogue.

Galerie Maeght in Paris also held a Calder show in , and subsequently became Calder's exclusive Parisian dealer.

His association with Galerie Maeght lasted twenty-six years, until his death in After his New York dealer Curt Valentin died unexpectedly in , Calder selected Perls Galleries in New York as his new American dealer, and this alliance also lasted until the end of his life.

Calder concentrated his efforts primarily on large-scale commissioned works in his later years. Some of these major monumental sculpture commissions include: As the range and breadth of his various projects and commissions indicate, Calder's artistic talents were renowned worldwide by the s. A retrospective of his work opened at the Guggenheim Museum in New York in In , Calder, together with his son-in-law Jean Davidson, published a well-received autobiography.

Just a few weeks later, Calder died at the age of seventy-eight, ending the most prolific and innovative artistic career of the twentieth century. Horse, cab, and driver; Athlete with racket; Three men in bowler hats; Charleston dancer for Arthur Murray advertisement.

New York Times , 22 October Thumbnail Sketches by 'Sandy' Calder. How in the World Else? The Boulevardier , no. Alexander Calder Scrapbook, — The unbound book includes seven folios and eight loose clippings, two newspapers, and one poster: Calder Foundation, New York. Unpublished Document or Manuscript. The Salon of American Artists. Statement on Wire Sculpture. Galerie Billiet-Pierre Vorms, Paris.

Sculptures bois et fil de fer de Alexandre Calder. Text by Jules Pascin. Pigment and Tea Leaves. Skulpturen aus Holz und aus Draht. Alexander Calder in der Galerie Neumann-Nierendorf. Das Illustrierte Blatt , no. Salon des Tuileries, Paris.

One Man and Some Wire. Parc des Expositions, Porte de Versailles, Paris. Painting and Sculpture by Living Americans. Nachtausgabe , 8 January Neue Pariser Zeitung , c. Carnet de la Semaine , 2 May With Fifty Drawings by Alexander Calder. Harrison of Paris, Art et Decoration February Journal des Debats , 29 February Julien Levy Gallery, New York. Solo Exhibition Catalogue, Illustration. Focius Josep Foix Vicenc. Prin, Alice Kiki de Montparnasse.

Cinematography by Jean Painleve. Dictionnaire Biographique des Artistes Contemporains, supplemental volume. Galerie Pierre , du 9 au 24 juin," Cahiers d'Art , vol. Text by Anatole Jakovski. Berkshire Museum, Pittsfield, Massachusetts. Modern Painting and Sculpture: Alexander Calder, George L. The Emerson Press, Rockefeller Center, New York.

First Municipal Art Exhibition. Pierre Matisse Gallery, New York. Mobiles by Alexander Calder. Text by James Johnson Sweeney. Modern Works of Art: Wadsworth Atheneum, Hartford, Connecticut. Art Institute of Chicago. Orobitz et Cie, Black Sun Press, Brooklyn Daily Eagle , 10 February New York Sun , 15 February Cubism and Abstract Art. Edited by Alfred H. Five Contemporary American Concretionists: Biederman, Calder, Ferren, Morris, Shaw.

Modern Painters and Sculptors as Illustrators. Worcester Art Museum, Massachusetts. Art of the Machine Age. Galerie Charles Ratton, Paris. Fantastic Art, Dada and Surrealism. Preface by Alfred H. New Burlington Galleries, London. Spring, Circuses, and Sport. Calder Work Original, At Least. New York Post , 27 February A Humorous and Inventive Artist. The Spectator 10 December Techniques in Carving and Painting.

Galerie Guggenheim Jeune, London. Exhibition of Contemporary Sculpture: Preface by Jean Zay; foreword by A. Conger Goodyear; texts by Alfred H. Foreword by James Johnson Sweeney. Movement as a Plastic Element. Journal and American , 14 May New York University, New York. Museum of Living Art; A.

New Techniques Affect Both. New York Sun , 7 December Buchholz Gallery, New York. Exhibition of American Sculpture To-Day. Modern French—And Some Americans. Journal and American , 1 June A Yearbook for Romantic-Mystic Ascensions. Art of This Century, The Arts Club of Chicago. Masters of Abstract Art. Cincinnati Art Museum, Ohio. First Papers of Surrealism. Annual Exhibition of Contemporary Art.

An Exhibition of Contemporary American Art. Archives of American Art, Smithsonian Institution. Revised, enlarged, and issued as a monograph in Exhibitions of the Week Offer Wide Variety. Alexander Calder and Some Others. Fordell, Hanson, and Francis T. Sculpture, Constructions, Jewelry, Toys, and Drawings. Annual Exhibition of Contemporary American Art. Sculpture and Constructions Sweeney, James Johnson, ed.

Three Young Rats and Other Rhymes. Drawings by Contemporary Artists. Harper's Bazaar July San Francisco Museum of Art. Abstract and Surrealist Art in the United States. Recent Work by Alexander Calder. A Review of Recent Work by American Sculptors. Painting and Sculpture by Outstanding Berkshire Artists. The Rime of the Ancient Mariner. Reynal and Hitchcock, The Detroit Institute of Arts, Michigan. Origins of Modern Sculpture. Cincinnati Modern Art Society, Ohio. Brancusi, Calder, Lipchitz, Moore.

Publication unknown , 1 November Patron des 'Mobiles' d'Alexandre Calder. Footage compiled by Hans Richter. This segment shows Calder performing Cirque Calder. Mattatuck Historical Society, Waterbury, Connecticut. Palais des Papes, Avignon. Exposition de peintures et sculptures contemporaines. Group Exhibition Catalogue, Illustration.

Text by Jean-Paul Sartre. Dreams That Money Can Buy Films International of America, New York. La Fontaine, Jean de. Translated by Eunice Clark. Texts by Henrique E. Paulo , 26 September The Institute of Contemporary Arts, London. A Comparison of Primitive and Modern: Katzenbach and Warren, Do Figurativismo ao Abstracionismo.

Giardino del Palazzo Venier dei Leoni, Venice. Mostra di Scultura Contemporanea: Presentata da Peggy Guggenheim. Modern Art in Your Life. Works of Calder Arts Communication Environment , vol. Detroit Institute of Arts, Michigan. Detroit Institute of Arts, Solo Exhibition Catalogue, Magazine, Illustration. Lucas, Hans pseudonym of Jean-Luc Godard. Introduction by Eric Grate. Museum of Modern Art, The Lefevre Gallery, London. Mobiles and Stabiles by Alexander Calder. Abstract Painting and Sculpture in America.

Text by Andrew Carnduff Ritchie. Movie Camera Looks at Calder Mobiles. Creator of Moving Forms in Space. Contemporary Arts Museum, Houston. Text by Mary Gershinowitz. Editions Art d'Aujourd'hui, Mendel, Hortense, and Robert L. Curt Valentin Gallery, New York. The Museum of Modern Art: Painting and Sculpture Acquisitions , July 1, —June 30, , vol. Sand Point, Long Island. Galerie Parnass, Wuppertal, Germany. Seeing a United Nations of Art. Sculpture of the Twentieth Century. In Memory of Katherine S.

Her Own Collection of Modern Art. The Unknown Political Prisoner. Foreword by Herbert Read. Walker Art Center, Minneapolis. Kinetic Constructions and Constructions in Space.

Text by Charles E. Sculpture and Sculpture Drawings. Introduction by Sergio Milliet. An Art We Neglect. Galerie Rudolf Hoffmann, Hamburg, Germany. Foreword by Christian-Adolf Isermeyer. Poem by Henri Pichette; text by Frank Elgar. Le Grand Cirque Calder Hamon, assistant; cinematography by Cl. Beausoleil; sound direction by Freddy Baume. City Art Museum of St. A Tribute to Curt Valentin. Modern Art in the United States. Propositions pour une plastique cinetique.

Museum Fridericianum, Kassel, Germany. Museo de Bellas Artes, Caracas, Venezuela. Produced by Camera Three. Creative Arts Television, Kent, Connecticut. Black-and-white, sound English ; 28 min. De Grassi, Leonard R.

New York Herald Tribune , 12 February Galleria d'Arte del Naviglio, Milan. Essay by Giulio Carlo Argan. The Institute of Contemporary Art, Boston. Jewelry and Drawings by Alexander Calder. Palais des Beaux-Arts, Brussels. L'art dans les collections Universitaires Americaines. Pan American Union, A Chess Sonata in 8 Movements Richter with technicians Bebe and Louis Barron. World House Galleries, New York. Rodin, Brancusi, Gauguin, Calder. Preface by Ernst Holzinger.

Spielerei, Raumschmuck oder mehr? Reprinted text by Calder. Brussels Universal and International Exhibition. Quatre-vingts millions bien mal employes Festival de la pretendue 'avant-garde,' la decoration du nouveau palais est eparpillee, maigre, et delirante.

Scandale au Coin de la Rue. Texts by Georges Salles and Jean Davidson. Galerie des Cahiers, Paris, and U. Alexander Calder, Stabilen, Mobilen. Text by Georges Salles; poem by Willem Sandberg. Malerei, Skulptur, Druckgrafik internationale Ausstellung. American Painting and Sculpture — Museu de Arte Moderna do Rio de Janeiro. Haus der Jugend, Wuppertal-Barmen, Germany. Perls Galleries, New York. Reprinted text by George Salles. Paulo, 8 May Le Cirque Calder Foreword by Bruce St.

The James Thrall Soby Collection. Introduction by Nicholas Guppy. Talks with Seventeen Artists. New York and Evanston, Illinois: Part of the series "L'art et les hommes. Alexander Calder at the Tate Part of the series "Monitor. Cover and three illustrations for concert program.

Herkules-Saal der Residenz, 30 March American Sculpture Since the s. Works of Alexander Calder. Galerie la Hune, Paris. Text by Michel Butor. Brook Street Gallery, London. Christian Science Monitor , 8 August Guggenheim Museum, New York. Modern Sculpture from the Joseph H.

American Art Since Preface by Jean Cassou. American Sculptor 'calder' On Show From the Circus to the Moon Produced and directed by Hans Richter; cinematography by Arnold Eagle. Engineer in Space Part of the series "Art and Man," program no. XXmm, color, sound, English ; 60 min. The Art Institute of Chicago. Directions in Contemporary Painting and Sculpture. Reprint of "Landmarks of Modern Art.

For four percussionists and mobile expressly made for the work by Alexander Calder. Henry Litolff's Verlag, General Reference, Musical Score. Introduction by Alfred Hentzen. Christian Science Monitor , 4 May Galerie d'Art Moderne, Basel. Marlborough-Gerson Gallery, New York.

Texts by James Jones and Michel Ragon. Gray, Francine du Plessix. The Sculptor at Home Unbound portfolio of 16 offset lithographs by Calder. Art in America and Perls Galleries, Text by Thomas M. A Time for 'Toys. The Museum of Fine Arts, Houston. Circus Drawings, Wire Sculptures and Toys. The Peggy Guggenheim Collection. Calder at the Guggenheim Black-and-white, sound English ; Master of Modern Art. Publication unknown , c.

Louis Post-Dispatch , 21 February The Soaring Art of Alexander Calder. Art Gallery of Toronto. Text by David Brooke. Bulletin, Philadelphia Museum of Art Summer Museum of Contemporary Crafts, New York. The Art of Personal Adornment. The Picasso of Iron. Slatkin Galleries, New York.

Harvard, and Pedro E. The Great Sail La revue du monde c. Gaumont newsreel, includes four segments: Martin," and "Alexander Calder" 3 min. Cristobal de Acevedo, An Autobiography with Pictures. Calder, Louisa James, and Alexander Calder. A New Year, New World. Richard Gray Gallery, Chicago. Massachusetts Institute of Technology, Cambridge.

Calders' Mark on Our City. A Lerner Newspaper , 11 May Introduction by Giovanni Carandente. Incorporating a fantastic restaurant and stylish bar, Didsbury's premier casino provides a suitably glamorous setting for our speed dating events.

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