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Jimi Hendrix’s Guitars and Gear

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His patented neck attachment system maximizes transfer of energy between the neck and body. There is, however, one point to warn would be collectors about: This is almost certainly not the same guitar, as this one has square inlays according to the photos from the auction. This guitar was shown at the EMP museum during a special Hendrix event. The case of there being another white Stratocaster with a maple neck in is mainly built around one tiny detail — a scratch on the paint on the lower part of the body. Here's a great performance demo link.

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I don't know if Floyd designed this himself, I have a feeling he did, but it's basically a Pacer Imperial with a different body. Includes a separate volume control for the acoustic plus a switch to choose acoustic-both-electric. Bridge plate is securely fastened to top. These are good sounding pickups, some of the best you'll find on an import, controlled by a 5-way blade and mini-toggle to split the bridge humbucker. It's a very comfortable guitar to play with nicely rounded edges, deep treble cutaway, and the neck cut low into the body - much like a PRS bolt-on - which allows the neck plane to be closer to the plane of the body. The old guitar is gone missing destroyed, stolen, or simply put away — who knows…. Hold one-Chuck L; one more available.

Pickups are a Seymour Duncan Dimebucker pickup at the bridge with a Dean humbucker in the neck with the edges taped down, Dimebag style. The neck on this model is quite substantial, with a rounded-V profile that feels a lot like a '56 Strat.

Controls are straight ahead 3-way selector with master tone and volume, with easy grip circles on the volume. With a pro in-house setup, these guitars are an incredible value for the money. Includes Dean hardshell case and comes in gloss black finish or Candy Apple Red metallic. Dean Dimebag Far Beyond Driven Tribute ML , An incredible guitar that's a fitting tribute to the late Dimebag Darrell, with excellent quality and top-notch features including flame maple top, a mahogany body with a set-in mahogany neck, a Floyd Rose licensed tremolo bridge system, and the classic Dean Series II V headstock with a screened collage of Dimebag.

Other features include a rosewood fingerboard, cream body and neck binding, a vintage Brazilliaburst finish, Dimebag Traction knobs, a Dimebag Quad image sticker on the body, and a Dimebucker Treble pickup bridge position.

Killer setup, killer tone, a super axe all around. For complete details, check out Dean's Site. Between Dean and Washburn there have been a lot of Dimebag models released and it's somewhat confusing to many customers. Having had most of them I can attest that the best of the lot are the Korean set-neck models, and that this is the best of the lot.

Although most of the Korean set neck DeArmonds, as well as the bolt-on Indonesia models, were discontinued by , the S lived on a few more years, although rebranded with the Squier brand.

Since Fender owned both names, I guess it only make sense to rebrand it rather than have a DeArmond catalog with only one line in it. It was made in the same factory, by the same people, as the DeArmonds which preceded it, it just has a different name. As with the Guild it copied, the S is a double cutaway "solid premium mahogany" guitar with a slightly asymmetrical double-cutaway design, and set mahogany neck.

This guitar features two very good sounding Seymour Duncan-designed humbuckers, which are among the best import pickups I've heard. Very unique guitar in terms of looks and design, totally hand-crafted in USA in very low numbers. I think this builder has only made a handful of guitars and the hand-built aspect is very obvious, definitely no CNC machines used on this guitar. The body shape is unique, sort of a highly exaggerated Tele style, except with rounded edges.

It features a center second of quilted maple, with mahogany wings, with a set-in poplar neck with ironwood fretboard. Pickups are a Gibson humbucker in the bridge, with a P stacked P90 style in the neck. A striking headstock, which combined with the billowy body, bring to mind Prince's Cloud guitar, or something of that ilk, in fact I think this guitar would look great with an off-white or yellow finish.

This guitar is the very one pictured on Denyle's site 4th one down and you'll notice it had a different tailpiece at one time more factory pics. If you look closely you'll see telltale signs of the earlier hardware but it's not very noticeable.

Eastwood has come on strong in a relatively short period of time, resurrecting classic models from past decades, but not your Gibsons and Fenders, but models by Harmony, Supro, Airlines, etc.

Only of the original Ultra GP were ever produced before being discontinued, primarily due to the price which was higher than a Gibson Les Paul from the same year. This model was made in Korea and is an excellent quality import. Click here for around 25 reviews where the GP scored a remarkable 9. Great feeling guitar with quality tone, Petrucci vibe, with a few mods. The first thing you'll notice is the finish. The logo has been removed from the headstock - the body, which is factory satin finish, has been lightly buffed out to a semi-gloss finish compare to headstock in first pic above.

The neck pickup has been replaced with a DiMarzio "Humbucker from Hell", which is bright and glassy sounding, along the lines of a Strat, with a vintage, medium output. A trem stop has been installed, allowing for down pressure only, EVH style, with advantages such as tuning stability during string bends and string breakage. The JP is a rather unique, we made guitar, The neck and headstock picture are one, meaning no scarf joint, which is more expensive to manufacture but adds stability and avoids potential separation.

This guitar has a great feeling fret neck that's thin with very sight shoulders, very easy to get your hand around. Stock features include Basswood body with custom deep forearm contour, maple neck with rosewood fingerboard and custom Sterling Petrucci Neck carve, reverse controls 3-way closest to your picking hand , Locking Tuners, 24 medium-jumbo frets, Sterling Modern Recess Tremolo with a really solid block, It's been so long since I've had a Custom neck-through that I can't remember the last one I had - plus a cool color and custom shop graphic, make it a very rare and desirable model.

This guitar is of interest to both guitar collectors, and comic book collectors, as it has a graphic based on the Nov. An original copy of the comic book is included with the guitar. Color match is near perfect and the areas were clear coated after the touch up. A few thoughtful mods were done which include a Floyd Rose replaces the ESP tremolo, Duncan humbucker replaces the ESP pickup, and a push-pull tone pot replaces the coil tap switch. For the player, it's a fantastic playing guitar with low action and a fast feel all over the neck.

The cutaway is beveled in a way that allows easy access to the upper frets. It's in beautiful shape and presents itself very nicely, with no pick or buckle scratches, and the only flaws noted above. For less money than a new bolt-on M-II Standard in a standard finish, you can get this neck-thru model in a very cool graphic which at 25 years is officially vintage.

Here's one for the collector! Stunning one-off with killer factory graphics on front, back, and headstock, with an eagle in flight covering most of the top with blue sky and white clouds surrounding it on the back and headstock.

This immaculately finished axe was used at the ESP booth at trade shows. The paint job goes through the pickups without interruption pic and when viewed from the front it's hard to tell that the guitar even has pickups.

This guitar is in collector's condition with scratches on the body, hardware has no pitting -recessed Floyd Rose trem has no pitting or discoloration. What a wonderful guitar for the collection; a real stunner, and it plays as nice as it looks. I haven't been inside to see what the pickups are but they're both humbuckers and it sounds excellent.

Features a carved top Horizon body with deep cut, beveled treble cutaway for easy access to the top frets. Neck is a medium profile with ebony fretboard, 24 jumbo frets, cream binding on headstock and neck, black oblong side markers, Gotoh tuners, and Schaller strap pins. Some of you might remember this guitar - I actually owned it in It's been very lightly played since that time but remains in very near mint condition. Just be gentle with it is all I ask.

Girls, cars, and guitars; they just go together as evidenced by this super cool airbrush graphic of some fishnet-clad legs sitting atop a 50's Cadillac tailfin. Specs are the same as the Snakeskin above with a few differences - bridge pickup is the ESP dual rail, fretboard is rosewood, tremolo is recessed, and the trem cover plate is recessed.

Other than that, its the same super nice axe from the 48th Street custom shop. The fretboard on this one is some beautiful rosewood that has much of the color and figuring of Brazilian. Like the snake skin above, this guitar has seen very little use and exhibits no player's wear. The only noteworthy flaw are a few lacquer cracks beside the tremolo shown here which only bear mentioning because the guitar is otherwise in such pristine condition.

Highly recommended for the ESP collector, collector of graphic finishes, or better yet and pro player since this guitar plays fantastic with action that's built to shred and quality tone. Includes top quality ESP case with black tolex with silver logo, leather ends, and plush interior. Not an especially rare model, but an extremely rare series, commissioned for Daddy's Junky Music, probably the country's 1 dealer in used gear, around 25 years ago. I called Daddy's corporate office to get the rundown on this model and spoke to Chris, who was actually around when these guitars were built.

The story goes like this: According to Chris, he thought that there were probably 50 or so, but no more than of the entire series, which were essentially ESP's Series, ESP's vintage line, with a special "Daddy's Series" logo. They came in various finishes and appointments, with this one being Olympic white with black and white plastic parts.

It's a well made guitar, typical of Japan quality in the 80's, with good quality woods, hardware, and electronics. The bridge pickup has been replaced with a Duncan Quarter Pounder pic here - middle and neck are regular stag pole vintage style.

Pots are the full size Japan pots; switch is the vintage style blade, both shown here. The only noteworthy flaws are some natural relic'ing to the nickel bridge and some of the pickguard screws, as shown here. The rarity of a Daddy's Series may only appeal to a handful of players, but it's an interesting story, and one that has little to no web documentation. Thanks to Chris from Daddy's corporate headquarters for his help. Killer Viper with in super clean condition, upgraded with a killer pair of DiMarzio humbuckers.

Although common practice is to use the in the bridge position, it has an excellent treble response which keeps it from getting muddy like a lot of pickups in the neck position. With the super high output of the , you need a powerful pickup in the neck and the matches it well. In addition, it is capable of a multitude of wiring schemes, with a total of 5 combinations for the neck pickup alone.

The Viper is built with quality craftsmanship that reinforces the fact that some great guitars are coming out of Korea these days. The body shape of the Viper is pretty much like a Gibson SG, except slightly thicker, and the upper horn is slightly longer, with an offset waist, rather than symmetrical like the SG.

Other features include 24 medium jumbo frets, set-neck design with 3-piece mahogany neck for increased stability and strength, rosewood fretboard with "flag" pearloid inlays, pearloid model name inlay at 12th fret, Eclipse headstock, bound headstock, and black hardware. The all-black look, without a pickguard, is both elegant, and very much rock and roll.

Want to try switching to a 7-string without paying a big chunk of change? This M is an exceptionally nice player with quality tone out of these LTD 7 humbuckers. This one was obviously a closet queen that looks like it was played for a few weeks and then stashed away for 13 years. Made only one year, which the Bluebook says was but the serial on this one is ' It also feature a black gloss finish which I think is unusual since most of these were satin finishes.

Features include offset double cutaway basswood body, bolt-on maple neck, 22 extra-jumbo frets, rosewood fingerboard, dot inlays, model name at the 12th fret, reverse headstock, hardtail bridge, strings thru body for enhanced sustain, dual humbucker LTD 7 pickups, volume-tone knobs, three-way switch, and black hardware. Beginning in the early 90's, led by Steve Vai and following shortly the "Korn" sound became synonymous with the low, huge sound of the 7-string.

Killer Viper with factory EMG's, again in super clean condition. The only real flaw is a tiny hole pic here where apparently somebody was going to move the strap pin. The is the top of the line in the Ltd Viper series, with top quality features and quality craftsmanship that reinforces the fact that some great guitars are being built in Korea these days.

The Ltd line was originally conceived to be a less expensive alternative to ESP's Japan-made guitars. It's been my opinion that they're every bit as good as their ESP counterparts and I actually have found them to be better built guitars on the whole. Their shortcomings were electronics and hardware that weren't quite as good The body shape of the Viper is pretty much like an SG, except slightly thicker and the upper horn is slightly longer, rather than symmetrical like the SG.

ESP left off the pickguard and used black hardware which give it a more elegant look. This is a killer playing guitar and like the EC, definitely good enough for pro use. Fine example of the upscale Korean guitars hitting the market the past decade. While the majority of imports have moved to China, Korean guitars offer superior woods and finer craftsmanship overall - and in the case of this EC, quality hardware and electronics as well.

Other upscale features include an Earvana compensated nut for perfect intonation, Grover mini-tuners which have a lower mass and overall superior to the common The set up on this guitar is spectacular; low action and no fretting out, with a quality tone that's good enough for professional use. In fact, this guitar needs no upgrades to be ready for the stage. ESP built some of the best quality Japanese imports, and when they launched the Ltd line years ago they found a factory that would be comparable quality guitars in Korea.

Extremely cool Fernandes with killer looks, tone, and playability. It's designed for the player who loves traditional feel combined with cutting edge tone and looks. The neck carve is extremely comfortable and the cutting edge body and headstock styling are so eye-catching that you're certain to get comments from anyone who hasn't seen one of thee before. This thing isn't looks only though, with real-deal Seymour Duncans and quality hardware.

This guitar features Seymour's personal favorite in pickup combinations: Plays great well and very clean condition. This model comes in figured tops as well and white, but there's something both heavy and elegant looking on a gloss black guitar with black hardware.

It also features the Ravelle signature pickguard with holes in it, again, to set apart from a traditional LP. The pickguard comes uninstalled from the factory but we can drill screw holes and attach and no cost if desired. Any flaws you may see in the pics are mere reflections - this baby is perfect - with plastic still on the back covers and not a hint of player's wear.

I really love Godins. Whether acoustic or electric, every one we've had has been an excellent quality guitar in all regards and probably the best value in a North American guitar built in USA from Canadian parts.

Excellent set up and overall nice shape other than some light scratches and finish impressions but nothing through the clear coat; around an 8. Godin's offer top quality guitars at remarkably reasonable prices. Known primarily for their acoustic models, they also build some fine solidbodies such as this Radiator. Click here for a review by GuitarOne. One of my personal gripes with the stock Radiator is the lack of a pickup selector.

Godin opts to skip the 3-way switch relying instead on individual volume knobs but if you want to go from bridge to neck quickly, forget it, you have to turn down the bridge knob and then turn up the neck knob. This guitar now has a CTS 3-way switch installed. Cosmetically, knobs have been changed to a larger amp style knob, more accurate for fine-tuning settings, and the automotive type logo has been removed from the body.

The single coil pickups sound very good and they're fairly quiet Godin calls them "low noise" but keep in mind if you use the mid-boost they're not going to be as quiet if you use a higher gain amp setting. If you boost the mids by 12dB, keep in mind that you're also boosting the noise by 12dB.

If you want the stock sound of the guitar, just put the TBX in the middle center is detented and roll the mid-boost knob all the way back. You probably won't use the mid boost all the time but it's easy to get hooked on the fat, harmonically rich sound and may find yourself using at least some boost on all your songs. Set up on this guitar is fantastic, with low action and no fret out on bends anywhere on the neck.

This guitar is 3X more versatile than a stock model and it's easily good enough for professional use. A shredder's dream guitar with action so low it makes you laugh like a small child.

Excellent Japan model that was made for Japan distribution and not imported from what I find. These came in two models, apparently identical except for sharktooth inlays on the JJ-F1, plus they made them in an HH configuration, and lastly, a bass. This one's a very cool color, Salmon Pink, which was a Fender custom color back in the 60's.

The body is a dead knockoff of a San Dimas era Jackson with an identical small control plate and identical contours. Features real Kahler tremolo and excellent sounding pickups. According to the catalog, I would guess the bridge pickup is a Jackson USA while the neck and middle are likely Greco. They're Duncan Quarter-Pounder style with large pole pieces, plus they have a brass band around the sides, same as the catalog pics.

All three pickups sound very good. Controls and knob layout is Jackson all the way, with volume and tone mounted straight across, with 3 mini-toggles which activate: Bound fret neck feels great and is thinner at the nut that most metal axes. Also features black hardware, Grover tuners, and football output jack which is another Jackson touch. I would hold this guitar up against any USA made during this time and, trust me, the action is as low as it gets.

It's in extremely clean, collector's condition, with no flaws of note. Now that Gretsch has the Chet Atkins name again they've revamped almost their entire line. This Chet Atkins Solidbody is one of the new models. Loaded with Gretsch Western vibe, from the iconic "G" brand, to the cactus and steer inlays, to the leather studded binding - everything you love about the original in a solid body form. Includes vintage style Gretsch case , also with western trim , with velvet lining and Gretsch banner inside, as certificate, tags, manuals, etc.

Originally a hard tail model, this one has an added Kahler tremolo and string clamp. To say that this was a pro mod is an understatement, this one was modified by John Suhr signed in the trem cavity so you know it was done cleanly and precisely. One other upgrade, and it's significant, the original Gretsch pickups with odd Phillips head pole pieces have been replaced with a very old pair of DiMarzio Super Distortions.

It was a very tone-enhancing change since stock Beast pickups are pretty unremarkable. It's a very comfortable guitar to play with nicely rounded edges, deep treble cutaway, and the neck cut low into the body - much like a PRS bolt-on - which allows the neck plane to be closer to the plane of the body. Very nice player with comfortable action and nicely dressed frets without any deep wear spots.

The tone is fat and powerful, suitable for a number of styles. Cosmetically it's in nice shape for its age other than a spot on the back where the clear coat is worn through but this is a very thin nitro finish so it's going to wear easily. Very affordable vintage USA Gretsch that's good enough for the pro player.

For the player who wants the lowest possible action without spending a lot, this would be my recommendation. Action is very low at the nut and stays close to the fretboard all the way up the neck.

For playability, this one is as nice as most USA Hamers. This is an excellent example of the quality coming out of Korea in the late 90's. While I think they were mediocre a decade earlier, by '97 the Korean factories were putting out guitars that rivaled Japan production. Hamer moved this series to China in the 00's but if you can find these older models, it's definitely worth the hunt.

You'll note the headstock pic above with a "used" stamp, which means that this was a cosmetic second for reasons that are impossible to tell once a guitar gets a few scratches on it. For a player on a budget, if you don't mind a guitar with a few cosmetic flaws, I guarantee you'll love the tone, feel, and playability.

A real stunner in Honey finish - solid maple top with beautiful flame in beautiful condition. The Artist Studio features an offset double cutaway mahogany body with sound chamber, carved bookmatched solid maple top, mahogany neck, single f-hole, fret neck, Wilkinson hardtail wraparound bridge, Schaller tuners, and a great pair of pickups - Seymour Duncan Seth Lovers.

Extremely clean condition with the worst flaw being a little milky clear coat on the edge of the fretboard, which is a common flaw on Hamers but overall a solid 9. New, an unplayed, first quality Hofner. We have a few of these in stock and feel that they're one of the most unique semi-hollowbody guitars made. It's super lightweight, at around 6. With the new CT Club Hofner resurrected one of their classic vintage models and a proud history that included John Lennon pic and George Harrison as players of their Club 40 in ca.

Other noteworthy players of Club series include Jimi Hendrix Club 50 ca. If you're used to semi-hollowbodys that have feedback problems, worry not. The small body, lack of f-holes, sustain block, and mini-humbuckers combine to make this guitar no more susceptible to feedback than a Les Paul.

Crank up the gain as high as you want, no problem. This guitar will perform great for nearly any type of music, and especially jazz and jump, although it's probably not the best choice for super heavy metal. It has excellent volume when strummed acoustically, and this open sound is also noticeable when amplified.

Features of the CT Club include: Controls include separate volume controls for each pickup i. These are getting hard to find. HOLD 1-Blaine, other available. With all the glitz and gaudiness of the 60's Italian classics, Italia has filled a niche market building guitars with unique looks but also quality parts and tonewoods. The Modena features three Wilkinson mini-humbuckers controlled by a blade pickup selector, master volume, master tone, and an additional volume that controls only the front pickup which allows you to fade it in or out, yielding 7 pickup combinations.

Other features include quality Gotoh tuners with pearloid buttons, Wilkinson vibrola, Tuneomatic bridge with roller action to reduce friction and keep the tuning stable during tremolo use, What really strikes you about this guitar is killer looks, with a green sparkle that really pops under lights, with mother of toilet seat back, pickguard, and back of the neck.

It also has a cool ridge around the edge of the guitar that's somewhat like a German carve. These pickups sound great and with seven combinations you can dial in a good sound for nearly any style of music. The tremolo is very smooth, sort of like a Bigsby as far as touch is concerned.

It's hard to beat this guitar for quality of construction and, even more, absolute killer looks. Another beautiful older Custom Shop Jackson from early Ontario production - San Dimas neckplate and the body still has the smaller San Dimas control route on back. This one is finished in a perfect red metal flake with matching headstock, which looks great with the gold Kahler Pro tremolo.

Pickups are Seymour Duncan Live Wires, all of which are humbuckers and all are high output, active pickups. It's equipped with individual pickup switches to allow any combination including neck and bridge and all 3.

Other controls are simply a volume control. This guitar is super clean with no finish chips or deep scratches, only some fine scratches, most of which will go away when we buff it out. The neck has a thick slab of rosewood, medium jumbo frets, and a sealer coat on back. Set up is fantastic with low action and no fretting out and overall this is one of the cleaner 80's Jacksons I've had in while.

Like the yellow '86 Dinky I posted a few weeks ago, this is definitely a good one for the collection, especially with the older style body which makes it more of a "vintage" Jackson than guitars that followed shortly thereafter. Whether you're a collector or player, you can't go wrong with this one. Very cool old Jackson in incredibly nice shape, especially for 23 years old.

San Dimas neckplate but the only actual San Dimas models were serials below Back in this era these were all custom shop guitars, built to order. I remember a form that customers dealers included would fill out, specifying pickups, graphics, tremolo, inlays, etc. JT which was identical to a "regular" Floyd Rose, which was also made by Schaller Germany, and, in fact, all parts are interchangeable except the locking bolts comparison pic.

Pickups are all Jackson humbuckers which, I believe, are the JBC in the bridge with a pair of J bi-level humbuckers in the middle and neck. Controls are the usual 5-way selector, mini two-way switch to split the bridge pickup, master volume, master tone, PLUS Jackson's great mid-boost circuit controlled by the 3rd knob.

This mid-boost fattens up the sound incredibly and you'll likely want to keep it cranked up most of the time. This guitar has obviously seen very little use as evidenced by the near perfect frets, intact lettering on the pickups, and almost no discoloration to the Floyd.

It plays wonderfully, with low action and very sleek oil-finished neck. There are no buckle scratches, only some fine pick scratches, most if not all we'll buff out prior to shipping. The only flaw is minor, and it's a small finish ding on the back of the neck which we can fill at no cost. These are nit pick issues and anyone would agree that this guitar is in beautiful shape.

This guitar was made while Grover Jackson still owned the company and, thus, much more desirable than the later Ontario guitars. Includes hardshell case, tolex with leather ends and white piping. It's supposed to be original to the guitar but I don't believe it to be a Jackson case.

Kammerer , made in his shop in Iowa, builds very unique, high quality guitars. According to his site, he has "built over guitars These are unique guitars, primarily with his patented neck attachment system, and with a body that's very thin at the edge, beveled to a regular thickness at the center, sort of like an Ibanez Sabre body.

His patented neck attachment system maximizes transfer of energy between the neck and body. What looks like a 2-screw attachment is actually just 2 screws that hold the neckplate in place - the actual attachment uses 4 machine screws, with brass inserts in the neck. Two additional pins in the body prevent any shifting of the neck.

With this system you don't need a lot of wood around the neck for strength, which allows is a very narrow heel that's very rounded, allowing for the utmost comfort playing in the upper register. It's an ingenious system, much more expensive to manufacture than a Strat style with 4 wood screws, but the results are worth it. The neck and headstock are the same piece of maple i. Again, more expensive but an effective and sturdy design. Feel the headstock while you strum a chord and you can feel just how lively the neck vibrates.

His bodies are also unique in that parts are all recessed - back plate, output jack, and neckplate are all recessed into the body, precisely, for a perfect fit. Just as precise is the fret work, with perfectly pressed frets, cut to exact fit, with no tang visible at the end of the fret shown here. Other features include maple body with gloss finish, abalone bow-tie fretboard inlays, fret rosewood fretboard, Duncan pickups with a Duncan Custom neck and a Pearly Gates bridge, black hardware.

The body is two-piece but not the usual bookmatched variety: Unlike some other boutique builders, Kammerer proudly uses a CNC machine in manufacturing his guitars, just like PRS or any other large company. He builds guitars to order, but the Scorpius seems to be the starting point.

Although this guitar has been played and there's some moderate player's wear, there aren't any major flaws and the frets are perfect. It has superb action, excellent tone, and is quite lightweight. Includes the original case. Model K in nice condition; plays as good as it looks. Vanguards went through various design changes, almost yearly, and this is one of the cooler ones with beveled body edges and a headstock with sort of a German carve on top - flat on back. It also has matching pickup covers and bridge cover back in the mid's they tried everything!

This model came in a single pickup version K and this two pickup K These pickups have a nice mellow vintage tone, slightly lower output than a 60's Strat, and more balanced without the Strat's harshness.

Overall nice shape for 46 years - top is super clean, back is in nice shape, but there are some finish dings around the edges shown here and it's all original except for one replaced fret shown here. This one has a very recent fret dressing so there are no dishes in the frets but the next time they wear down it will likely want to have a refret. Old Kays are hit or miss as far as playability - this one is fantastic. With a perfectly straight neck and perfect neck angle, it sets up with low action from the 1st fret to the 19th.

I remember 10 years ago when you could pick up old Kay's, Harmony's, Silvertone's, etc. Player's special on a fantastic Jersey Star that's seen very little use, but encountered an accident. This is the ca. As the original Kramer factory closed down long ago, this model was developed and built from the ground up, with special thanks to Mike at www. Richie was under contract with other manufacturers and didn't officially endorse this model, thus the Jersey Star designation and "JS" truss rod cover rather than the original "RS" truss rod cover.

All other major specs are pretty much identical to the original including quality hardware pics , all gold, with a real Floyd Rose tremolo, Schaller tuners, and Schaller straplocks. Pickups are specially designed for this guitar with a JSR in the neck and a pair of JST's in the middle and neck. For a good review of this guitar here's a like to VintageKramer link here , where Mike states that this series is better than the original 80's model.

No scratches, no fret or fretboard wear, clean gold hardware, etc. Headstock has been repaired and there's a relatively small ding on the body, both shown in the pics above.

The headstock appears to be very solid, with no wood missing, and since there's a locking nut it's not a high stress area with the nut clamped down. It plays superbly and has excellent sustain and one of the better overall tones I've coaxed out of a Kramer. Another beautiful Pacer in time capsule condition. I just sold the flip-flop blue '86 and right on the heels comes this one in Flip-Flop Red, which, depending on the viewing angle, can appear red, purple, or pink, clearly visible in the pics above.

This is a true "under the bed" guitar with virtually no player's wear, and the only flaw are a few very minor impressions, the worst of which is shown here , which are only visible from the right angle. Not just great looks, this baby has a great setup with very comfortable action, no problem bends, and the Floyd stays in tune perfectly.

Includes new TKL case that's the same model as the mid-line Kramer case from the 80's. Fairly rare model from Kramer, in common red stain finish, commemorating the significant contribution Floyd made to the incredible success of the young Kramer company. I don't know if Floyd designed this himself, I have a feeling he did, but it's basically a Pacer Imperial with a different body. Overall pretty nice vintage shape cosmetically with only one area through the finish on back of neck , all other flaws are in the clear coat only and not through to the wood - worst flaws are shown here.

There is also some wear on the edge of the fretboard as well as a few finish check lines. This guitar came in with horrible action and intermittent electronics. Again, Martin did his magic and turned this into a shredder's dream. The action is insanely low, with just a hint of string buzz audible only acoustically, or we can raise to factory specs if that's your preference without any buzz.

I wouldn't touch a thing since right now this guitar seems like it plays itself. The neck isn't one of the thinner ones that appeared in '84 or so, but fairly substantial. Classic chicken beak headstock with Floyd Rose signature logo, original model non-recessed Floyd Rose tremolo and locking nut, Schaller humbuckers with 2 volume and master tone, gold Gotoh tuners with rounded buttons aka "San Dimas" tuner and straight mounted set screws, and brass "large head" strap pins.

This guitar appears all original, with the exception of missing one of the back plates repro's available at minimal cost. This is sort of an oddball guitar in the Kramer line but it's small body and light weight make it a joy to play. It's not clean enough for collectors of near mint examples for others, a killer player in nice vintage condition. Almost identical to one that sold last month; very cool ESP-made Kramer. Players who know about these guitars don't let the Focus name scare them.

They're quality Japan-made Kramers - just like the "Kramer Americans" that followed a few years later. Unlike the ones a year or two earlier that features a Floyd Rose without fine tuners what a fiasco , Floyd had it nailed by the time this one was built and with the addition of fine tuners, the "Original" Floyd made it's debut.

This double-locking Floyd Rose is the same model found on the Pacer series from this era and became the standard by which all other locking tremolos were measured. This one's in very clean shape as shown here and works great. These are good sounding pickups, some of the best you'll find on an import, controlled by a 5-way blade and mini-toggle to split the bridge humbucker.

You get anything from Strat tones to fat metal tones and it sounds very good on every setting. Nice shape, with a killer setup and every bit as good as the "Kramer Americans" where were ESP Japan guitars which followed.

Les Paul Copy by Karera , nicely flamed maple top, set neck design and a very cool sculpted heel that allows easier access than any other LP I've played. Here's what you get: Line 6 Variax Modeling Guitar - Black , front , headstock , back , features , gigbag. Before Fender's VG Strat there was the Variax which beats the VG in terms of versatility and a rather convincing modeling tone but the Variax takes it 10 steps further with loads more guitar models and tuning options.

It's like having 25 guitars in one! For a complete listing, click here for Line 6 site. For many of us setting up for a gig means lugging at least two electrics and probably a string and an acoustic. Imagine a single guitar that plays fantastically, that can cover all the bases. Ladies and Gents, the Variax. With a seeming endless variety of sounds from classic acoustic and electric tones all the way to sitar and banjo - plus without magnetic pickups, your notes come out crystal clear without any noise whatsoever.

Variax also allows you to plug into a computer and customize your tone or apply alternate tunings to any of the 25 presets. It also integrates seamlessly with POD XT Live and Vetta II - not only powering the guitar but also letting you control the entire signal chain right at your feet also runs on batteries or optional phantom adapter. This used one is in beautiful condition and is the original Korean model later models were Chinese. It plays exceptionally well, and incredibly powerful guitar.

Music Radar mentions Jimi's most famous Strat in this article "Fender's Artist Relations manager said there was one other instrument he'd like me to look at. This turned out to be Hendrix's most famous guitar — the white Fender Stratocaster that Jimi had played at Woodstock in Jimi didn't actually play much on this guitar during the appearance at Monter Jimi didn't actually play much on this guitar during the appearance at Monterey Pop Festival.

He played the entire show on a black maple neck strat, but switched to this one for the grand finale: Rolling Stone says about this guitar "The colorfully decorated Strat that the guitar god played during his breakout performance at the Monterey Pop Festival is famous for its short lifespan: Hendrix lit it on fire at that celebrated show.

Paul McCartney and George Harrison were in attendance. In tribute to them, the Jimi Hendrix Experience played "Sgt. Peppers Lonely Heart's Club Band," which had only been released three day's earlier. Later in the set, Jimi smashed the white Strat and here are the fragments today. Jimi's first ever Fender Stratocaster was a white model with rosewood fi Jimi's first ever Fender Stratocaster was a white model with rosewood fingerboard. He actually bought it from Jeff Baxter, later of Steely Dan, who was working at Manny's as an assistant, and he remembers the incident clearly.

Citation for this information can be found in several pages including 61 and 62 of the book Jimi Hendrix Gear. From a [Gibson article] http: It seems as if Jimi was trying out the guitar as a replacement for the Flying V.

The auction continues to say that this Fender Mustang was ".. The original source can be found here. Jimi's main guitar for his gigs in Little Richard's backing band. Gibson verifies this as a specifically here saying "Hendrix had a beautiful white Gibson SG Custom that he used for the better part of a year during The guitar was equipped with a vibrato tailpiece, and three humbuckers. Although there isn't much to be found about this guitar, it did clearly belon Although there isn't much to be found about this guitar, it did clearly belong to Jimi Hendrix.

It can be seen in his famous 'string blues' intro to 'a film about Jimi Hendrix', made 3 years after his dead. Also note the special design of the pickguard and the way bridge is used for the octave strings and the tailpiece for the regular strings, which can also be seen in the video, and on this photo.

As Tony Zemaitis was 'but' a man in his shop who build all his guitar by hand and not a man with a factory, not that many are around, so it is very unlikely there is one like it. Which also explains why it doesn't have a name or a type. More 'subjective' information can be found on this add for a replica, although it seems quite legit. In this photo of Jimi Hendrix and [The Who] http: This is almost certainly not the same guitar, as this one has square inlays according to the photos from the auction.

Jimi played it at Monterey International Pop Festival in before switching to a different guitar which he set on fire. It is obvious though that this is a different Strat, featuring rosewood neck instead of maple which was on the Black Beauty. Jimi was seen playing this guitar backstage at Madison Square Garden while ha Jimi was seen playing this guitar backstage at Madison Square Garden while hanging out with the Rolling Stones.

It most likely belonged to Keith Richards. Over his unbelievably prolific and sadly short-lived career he ran through guitars fast, but he found his heavenly match with the Fender Stratocaster. It was the guitar which he dubbed his favorite and it was this model he lit on fire during his infamous performance at the Monterey International Pop Festival in Fittingly, according to his girlfriend Monika Dannemann, it was also the last guitar he played before his death.

His first electric guitar was the Supro Ozark s , which he picked up back in In the mid-'60s, he messed around and did some recordings including Spanish Castle Magic with the twelve-string, double-necked Mosrite Joe Maphis guitar.

His iconic sound was tightly linked to his brilliant matching of instrument, amplification, and pedal effects. Limiting ourselves just to his performance at Woodstock, we can marvel at his twin Marshall Watt Superlead Heads for four-foot-byfoot stacks. Before hitting the amps themselves, Hendrix ran his Stratocaster through in this order a Vox Wah pedal , a Dallas-Arbiter Fuzzface , a Uni-Vibe pedal , which then sent a split signal out to the two Marshall amps.

According to Mayer, "Jimi was very aware that a simple chain of effects — along with few important options — would greatly free his mind to concentrate on performing and that a lot of control could be obtained from the guitar volume. Hendrix chose the right gear and used it effectively to create an optimal signal flow.

Imsges: dating silvertone guitars

dating silvertone guitars

As Tony Zemaitis was 'but' a man in his shop who build all his guitar by hand and not a man with a factory, not that many are around, so it is very unlikely there is one like it. The set up is typically great, better than your average Paul and for tone, playability, comfort, and looks.

dating silvertone guitars

This clean used set has full length leads and includes screws and spacers.

dating silvertone guitars

The neck carve is extremely comfortable and the cutting edge body and headstock styling are so eye-catching that you're certain to get comments from anyone who hasn't seen one of thee before. Not merely silvertons veneer, this is a genuine koa cap as shown here. I cannot find a serial number but is believed to be late 60's - early 70's This old girl has Excellent low dating silvertone guitars sound!!! It's perfect for adding extra sparkle for darker sounding instruments, just enough edge or dating site for sugar daddies to make it stand gutars in the mix. Fender Vintage Noiseless Tele Set. Even more authentic vintage tone, without the noise. Pickups are dating silvertone guitars of my favorite by Gibson: